Resistance Is Futile

The War of Art: Steven Pressfield

Fighting resistance is one of the hardest battles you can face in life, it’s also a fight to the death.

For some years I’ve been battling resistance without even realising I was doing it. Not fully understanding why I couldn’t motivate myself to get up and do the things that I wanted to do to fulfil my dreams. What demon is this that stops you doing what you love? Why do I feel like I have to wait for something to happen before I can start living the dream, even if the dream is to just start making music, or writing or painting. To just start!

You might be thinking, ‘what a plonker, why don’t you just do it?’ I can understand that, resistance isn’t fighting everyone, some people bash out tunes like their lives depend upon it, and it does.

Resistance is fear.

Resistance can pop up in many shapes and forms but it’s main guise is fear. Fear of success, fear of failure, fear of doing it wrong, fear of never doing it but never getting around to it despite countless attempts to ‘have a go’. So how can we give our selves a chance at living the life that we need and deserve?

We need to turn pro! As Steven Pressfield describes it in his book, ‘The War of Art’, which I’ve had for years, but only now managed to read (ironically), we will always battle resistance, but recognising it for what it is means we can start to predict its next move, the latest trick it has up its sleeve to prevent us from making the difference we have a right to make in the world.

What do you want to do?

Knowing that your calling is the most important thing to you and that you need to create and you need to make a difference can be enough to get things moving. We are by nature creative creatures and require an outlet. Some of us don’t even know what it is we are meant to be doing, others have no problem following and DOING what is required of them to make a success of themselves.

By success I mean to be pushing ourselves everyday to improve on our craft, because it is a craft, it’s something we have to dedicate our time, our lives to. Success is to keep working despite the results, it might not be a number 1 hit, it might not be good in any way, but it is finished, you have worked and worked until you can say this piece is finished. That is a success as far as I’m concerned. Putting in the time will reap its own rewards and what starts as the biggest learning curve of your life will turn into your daily routine where ego and self no longer matter, you are just getting this shit done, no matter what the cost.

We are are only here once, this is it, if we don’t act now we won’t evolve into what our potential is begging us to become and our resistance is trying to stomp out. We must create and we must conquer the resistance by recognising it for what it is. Resistance must be eliminated.

What’s your take on resistance? Are you a sufferer? I’d love to hear your stories on how you overcame resistance, or perhaps you are still struggling with it? Let me know in the comments box below.

Recommended read:

The War of Art: Break Through the Blocks and Win Your Inner Creative Battles

 

Out with the old, in with the new

DSC00915So here we are in 2013. How was 2012 for you? I personally had one of the strangest and most unsettling years of my life. Nothing traumatic though, so the boat is beginning to settle again.

You may have noticed a new look to the website, if not this is your first visit, welcome :-) There are some important reasons for the change not just the fact it’s a new year.

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Breaking out of the cycle

Toby_OldIt seems that life is getting away from me

My plans for keeping this site updated have been skirmished. I was 32 the last time I posted something here and now I’m 33 and wondering where the year has gone. It was a lovely idea to think that I could create an album in a year and have it all mixed and mastered and ready to go before 2013.

Getting to grips with an ever changing and seemingly non-stop torrent of gushing stuff and things really doesn’t help me with my creative aspirations. Or is life and its events an excuse? A reason I can give for not fulfilling my goal. I suppose it is. To say life has been a bit of a distraction would be an understatement. I’ve moved home, changed location, changed my entire life in fact. Everything I do is now completely different, so much so that I’m starting to notice differences in myself, good ones too. (more…)

Time away

As you may have noticed I’ve been a bit quiet recently. This is down to moving house and general life getting in the way. However all is moved and studio space has been established, therefore the project can continue!

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The Album Project picked up by @Pulcoman

I was innocently going about my daily business the other day when I noticed someone had favourited my album tracks on Soundcloud, Domestic Bliss and Going Back. Not only that, but Ash Cooke (aka @Pulcoman on Twitter) had even blogged about the album project! I was overjoyed! So a big thank you to you, Ash!

Ash Cooke is a bit of a genius music maker, with lyrical honesty and humour and beautifully produced sonic soundscapes that compliment the words wonderfully. In his own words “Pulco music is home-recorded lo-fi experimentalism – observational, poignant and at times laugh out loud funny. It includes poetry, found sound, ambient noise as well as songs deftly performed with little more than voice and guitar.” Which is right up my street!

Collaborating with the best of them, The Man of Lists is a great place to get started, I highly recommend you take a listen. You can find his music here: http://pulco.bandcamp.com/

Also make sure you check out Ash’s website here: http://pulcomusic.com/ Not only does he sometimes record in his car but he’s also been known to tour with the likes of The Super Furry Animals and do a session with John Peel, do not underestimate the power of Pulco!

Thanks again, Ash!

sE Electronics Competition – I WON!

As with most competitions you see on Twitter, you will either retweet it or you won’t. I never usually bothered, but more recently I have started to make a point of it as I need to get more gear for the studio (really need a studio) and update some software. You never expect to win though. This is just a fact. However today, to my astonishment, amazement and absolute delight I received a message on Twitter saying I had won the sE2200a II Cardioid Condenser Microphone!!

This will certainly help me with my album project and it will also allow me to get a bit more experimental. Sampling the world around you is a great way to ensure you are using original sounds rather than using lightly altered presets in a soft synth, or the standard 909 kick from whichever plug in you may be using. I could even start hitting bits of metal or doors to create a whole new drum kit that is completely and utterly my own. (more…)

Quick Update

So what’s been happening? Well I’ve made significant progress with the ‘Splike’ track, having been given some great tips from Mike Langley or @BigNoiseAudioUK as some of you may know him on Twitter. Which means I’ll be able to start tweaking the track into shape. It also means that I’m procrastinating like nobody’s business. It seems the closer I get to finishing a project the less I want to go near it because it will then become final, no more tweaking once it’s out there, which is always a bit scary for the writer, as we all like to keep tweaking!

Once it is up and on SoundCloud I’ll also demonstrate some of the processes I went through to achieve what I did, plus I’ll upload some stems for you music tech heads to have a play with. The next task on the list is to get the drums in order, and this time I’m making myself program/play in every single bar.

This particular track has taught me a lot, especially when it comes to having an authentic feel to the track. It can really make a huge difference. Working ‘in the box’ it’s all too easy to apply too much quantisation, or get lazy and just use loops to carve your way through a track. I think it’s time I took the reins and started to really apply some humanisation to my work. Even the smallest difference can make a big difference, the key is to keep listeners interested and I aim to explore this more and more as The Album takes shape. I’m also hoping to get some more guitar and bass (actual instruments) into the sound. Again, it’s very easy to use synths and samples, but I find using instruments actually speeds up the process, and it’s also very enjoyable to come away from the screen for a while. There’s plenty of scope for sound design once I’ve recorded the parts and of course the use of field recordings, which if you’ve heard ‘Domestic Bliss’ you’ll know I love to use.

That’s it for now, if you have any tips on avoiding procrastination and likewise on humanising a track, I’d love to hear them.

Until next time…

How feedback will improve your creative confidence

After writing my previous blog on the importance of solitude it occurred to me that whilst it is crucial to have peace and quiet, it can also be beneficial to have others around to bounce ideas off.

We don’t all have the option to go from solitude to company at the drop of the hat, but having input from other people during the creative process is just as important as not having anyone around. For some people, you may think, it’s very simple. They ooze confidence in what they do and it appears as if this negates the need to reflect back on their creative outcome. (more…)

Interview with Dementio13


Paul Foster AKA Dementio13 very kindly gave up some of his time to allow me to interview him. 

Dementio13 is a Cardiff-based producer/remixer; recording solo since 1999. His music is a curious mix of Krautrock-influenced drones, experimental electro, film soundtracks, post-rock, drum n bass and psychedelia. Dementio13 often deletes his older releases which no longer ‘fit’ his musical vision. His back-catalogue is always changing.

He has also been involved in collaborative projects with the international duo Cwtch, the music collective, Sal Boca and his other solo project Diebenkorn.

Toby Duckett: What got you into music production and how long have you been doing it?

Paul Foster: I was in bands in my teens and early 20s. My first band used to rehearse in an empty youth club at weekends and, during our ‘downtime’, I’d go into their studio to play with the toys. There was a four-track, a TR-606, a string synth and a Yamaha synth (a CS-5, I think). I already had drum machines and some little Casio keyboards which we used in the band, but I later acquired a Roland MC-202 and a Tascam Porta-One as well. This was around 1986, so I’ve been doing this for 26 years! (more…)

How solitude can bring out the artist in you

Being alone. Having some time to think. It’s an important aspect of life for all of us and especially true now that our lives are saturated with time consuming tasks; washing up; travelling to work; the work itself etc etc. However, having a creative mind means that it is essential to have alone time. Without solitude, you can find yourself unable to think creatively. The mind needs space! 

However confident you may be with your chosen art, it is all to easy to fall into mindless repetition. And while this may suit those who receive your creative gifts, it really doesn’t satisfy your need to create. Creativity is why you started doing what you are doing in the first place but it’s all too easy to fall into patterns of convenience once the initial creative spurt has served its purpose. (more…)